The Pan No's are 4695C and 4745C.
The work in question (a letterhead) consists of a table drawn out in Illustrator, and imported into InDesign where some text has been added. There is a background image which is a full bleed photo (forget the original Duotone for the time being, I'm now working with a simple greyscale image). In between the photo and the illustrator content, there is a layer with a white rectangle set to 50% opacity (this is where the person will write on the letterhead, with the photo knocked back in the background).
The only colours used in ID are 4695C and 4745C (I have checked this repeatedly).
The table was originally designed with a process brown colour in Illustrator, however the client has since specified the spot colour 4695C. So, I have made the changes and checked the file in Illustrator. All the lines are 100% 4695C, and the fills are a tint, 15% 4695C. These are the only colours used.
When exporting from ID to PDF I have been looking at the ink manager, and this has been showing 6 colour channels: c, m, y, k + 4695C and 4745C. This is confirmed in the preflight.
OK. I've solved the problem, **I think**. I had to redraw the grid in Illustrator (for some reason it retained the process colour info, even though i have definitely changed it all to the spot colour!!).
The preflight now only shows 2 colours, however the ink manager still shows 6 (cmyk + the 2 spots). Is this correct?
2nd question.....
Can somebody clarify something else for me? If I send a single colour job to print with a mono background image, everything will be printed as the choosen single colour, right? But with a 2 colour job, how do I specify which colour will be used for the monotone (photo) background image.... Do I have to assign the colour as multichannel in photoshop before placing into ID, or can I do this directly in ID?
Thanks for your patience
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